Saturday, June 8, 2013

Radio Mirchi Success Story

Radio Mirchi bags six more frequencies



DELHI: The government is likely to earn Rs 1,134 crore as license fee by selling 338 FM radio stations in 91 cities across the country. The bidding process for the second phase of private FM radio frequencies concluded on Friday with the government generating Rs 177.56 crore by auctioning licenses for 64 FM radio stations in 19 cities of the Southern region.

The government has managed to sell 279 radio stations of the 338 put on the block, and expects to get a revenue of around Rs 1,134 crore which includes about Rs 227 crore migration fee, according to a government source. The existing FM radio operators have an option to shift to the one-time entry fee (OTEF) regime by paying a migration fee.


Radio Mirchi enters capital market on Jan 23



NEW DELHI: Entertainment Network (India) Ltd, which operates the private FM radio broadcast service 'Radio Mirchi' is entering the capital market on January 23 to raise up to Rs 214 crore (including a greenshoe option).

The maiden public offer using the book-building route would open on January 23 and close on January 27. The price band for the offer of 1.2 crore shares with a green-shoe option of an additional 12 lakh shares, has been fixed at Rs 144-Rs162. The shares of Rs 10 each for cash will be offered at a premium to be decided by the book building process.




Radio Mirchi bags Patna in FM Radio Phase II


NEW DELHI: The government is expected to earn a revenue of around Rs 21 crore by selling 48 FM radio licenses in the eastern zone. It received 58 bids for 66 frequencies (stations) in 17 cities which included Patna, Ranchi, Jamshedpur, Guwahati, Gangtok, Shillong and Itanagar.


Entertainment Network India (ENIL) — which operates FM channel under the 'Radio Mirchi' brand — emerged as the sole winner for Patna. It submitted a bid for only one city in the eastern zone. Five bidders were in the race for four frequencies in the capital city of Bihar. The other four bidders were disqualified.

Radio in the 1920s

Emergence of Radio in the 1920s and its Cultural Significance

Most radio historians asert that radio broadcasting began in 1920 with the historic broadcast of KDKA.  Few people actually heard the voices and music which were produced because of the dearth of radio receivers at that time.  The public, however, was overcome by a radio craze after the initial broadcast.  Radio became a product of the mass market.  Manufacturers were overwhelmed by the demand for receivers, as customers stood in line to complete order forms for radios after dealers had sold out.  Between 1923 and 1930, 60 percent of American families purchased radios.  Families gathered around their radios for night-time entertainment.  As radio ownership increased, so did the number of radio stations.  In 1920, KDKA was not actually the only operating radio station, but it remains a benchmark in most accounts. And by 1922, 600 radio stations had sprung up around the United States.  Chicago's first radio station, KYW, begun in 1921 by Westinghouse Electric and Manufacturing Company, was the first specialized radio station, broadcasting exclusively opera six days a week.  The radio station experienced immediate popularity and continued to be a favorite in Chicago.  After the opera season ended, the station owners saw the need to diversify their programming.  They began broadcasting things like popular music, classical music, sporting events, lectures, fictional stories, newscasts, weather reports, market updates, and political commentary.  Radio stations like KYW enhanced a sense of community among different ethnic groups as each group could listen to programming suited to their interests and needs. However, the advance of radio technology also created a tension between modernity and the traditions and habits of Americans. 
    The rapid spread of radio listeners and programs lead to inevitable confusion and disruption.  Radio waves were up for grabs, as stations competed with one another for time and listeners.  Many programs overlapped.  Listeners of one program were frequently interrupted by overlapping programs.  In addition, the public, the government, and emerging radio corporations viewed radio as a means of public service, rarely as a vehicle for personal profit.  Radio manufacturers alone experienced financial gain from the radio boom.  Radio announcers, deejays, and stations worked on a non-profit basis.  Advertising was not introduced until later in the 1920s, changing the public service face of radio, to one of private gain. 

   The federal government hesitated to regulate the airwaves.  Radio stations, listeners, and emerging broadcasting corporations all asked the government for some sort of intervention to end the free-for-all that radio had become.  The government responded slowly, gradually passing laws to govern the radio.   The Federal Radio Commission was set up in 1926; the Radio Act of 1927 organized the Federal Radio Commission.  This Act became the basis for the Communications Act passed after the rise of television.  As the government spent more time investigating radio stations, apportioning time to different groups and programs, and monitoring the growth of the radio industry, they became more and more comfortable with the responsibilities of regulation.  These federal bodies eventually ceased to doubt their right to regulate.

Radios in the 1920s


Crystal radios, like the one at left, were among the first radios to be used and manufactured.  These radios used a piece of lead galena crystal and a cat whisker to find the radio signal.  Crystal radios allowed many people to join the radio craze in the 1920s because they were easy to make from home.  xMany boys' magazines encouraged young boys to make their own radios, and included step-by-step instructions for the crystal radio.  All necessary supplies could be purchased for as little as six dollars.  However, the sound in the earphones was very weak and often interrupted by static.  Early radio's, including crystal radios, needed antennas to operate well.  The most frequently used antenna was the inverted L.  For more information on this and other antenna, click HERE.  While manufacturers tried to improve the crystal radio, one inventive young man, Edwin Armstrong, worked at improving the radio all together.  He worked to implement the De Forest Audion tube into the radio.  This was also known as a vacuum tube.  Eventually, vacuum tubes replaced the crystal.  Armstrong's first model of a radio using vacuum tubes was called the Radiola Superheterodyne.  After companies succeeded in finding an inexpensive method of producing these tubes, they introduced a vacuum tube radio to the market in 1924.   Sounds came through more clearly even over great distances.  The additional innovation of the transistor allowed radios to become small and portable.

This radio, using a 250 watt spark transmitter, was built by Moe Smith VE1XG. Smith's innovation paved the way for radio manufacturers Pilot, Federal, Patterson, and more.  It was one of the first radios to use peanut tubes but was incredibly loud to use.  For more information on peanut tubes and radio technology in Canada, click HERE. Overwhelming volume was a consistent problem with early radio.  Even after the antenna was used to decrease radio static, listeners were still often "blasted" by noise when they switched stations; the switch from a distant frequency to a nearby station resulted in a dramatic increase in volume.  The invention of the automatic loudspeaker in 1928 improved this problem immensely. 
 This is a Roger's Batteryless Receiver Model 130, built in 1925.  It is typical of radios in the twenties in that it is battery operated and has three dials and five identical tubes.  The move to battery powered radios resulted in an enormous upsurge in public popularity of the radio.  Radios could more easily be incorporated into the decor of private homes.  It furthered the mass consumption of the radio, producing new demands for this technology.  This radio is very similar to the Stewart Warner 300, of 1925, seen below

Friday, April 19, 2013

Career In Acting


Introduction


"I don't use any techniques; I'm not trained to be an actor. I just enjoy working in films."

MapMyTalent offers detailed career information on what it takes to become an actor, what courses are available and what is the eligibility to become an actor, where can one study acting as a career, and what are the career prospects.

The actors portray the role of another character, fictitious or otherwise, for the benefit of an audience or for their own creative satisfaction. Actors do films, TV shows, videos and theater. They also do commercials, and sometimes even appear as superheroes in computer games. Some actors do voice-overs and narrations for movies and other programs. Some go on to teach at the drama schools or start their own academies. Overall, they play many roles / characters in their careers.

Actors bring their interpretations of characters from screenplays or scripts to life. They’re both entertainers and storytellers. They spend a lot of time preparing for their performance. Many actors are also talented dancers, singers, painters, and mimicry artists. 

Courses & Eligibility


How to be an actor?


It is said that actors are born and not made. But a formal program gives a person exposure, training and education which enhances the chances of success. Thus the budding actors go to a college or university to study theater and some go to performing arts schools. Although there is no defined educational qualification required for this career but a course in acting or theater and a good command over language is a prerequisite.

The National School of Drama, New Delhi offers a Diploma course in Dramatic Arts, which is recognized by the Government of India for the purpose of recruitment to superior posts and services under the Central Government, where specialization in the field of Dramatics is required. The prerequisite for this course is a degree in graduation with at least 10 years of experience in amateur drama.

A week long crash course to a full fledged academic courses spanning over 3-4 years leading to a graduate degree in acting are offered at many institutes.



Where To Study


Institutions and Universities



  • National School of Drama, Bahawalpur House, 1 Bhagwandas Road, New Delhi
  • Film and Television Institute of India (FTII), Law College Road, Pune, Maharashtra
  • Asian Academy of Film & Television, Marwah Studios Complex, FC-14/15 Film City, Sector-16A, NOIDA, Uttar Pradesh
  • The Imago School of Acting, Sudhan Bhawan (1st floor) 37, Saidulajab Village, Saket, Mehrauli-Badarpur Road, New Delhi
  • Film and Television Institute of Andhra Pradesh, Saraswathi Nilayam, 8/3/169/69 Siddartha Nagar, Adjacent to Vengal Rao Nagar, Hyderabad
  • Adarsha Film Institute No.39, Netaji Road, Bangalore, Karnataka.
  • Actor Prepares, 2nd Floor, Film Industry Welfare Trust House, Next to Ajivasan Hall,Juhu Road, Santcruz (West), Mumbai, Maharashtra
  • Daisy Irani’s Film Institute 682, Roop Kala, 16th Road, Khar (W), Behind Khar Gymkhana, Mumbai, Maharashtra
  • Barry John Acting Studio, Mumbai - FullTime and Part Time courses in Acting
  • Zee Institute of Media Arts Course in Acting

Career Prospects


Actors can work in films, television, theaters, or other public performances (travelling groups, theme parks, etc.). Indian Film and TV industry is booming and prospects are bright for the budding actors.



Famous Personalities




Amitabh Bachchan is synonymous with Indian film industry, he has done over 180 Indian films in a career spanning more than four decades. He has won many awards in his career, including three National Film Awards and fourteen Filmfare Awards. In addition to acting, Bachchan has worked as a playback singer, film producer and television presenter. He also had a stint in politics in the 1980s. He has received both the Padma Shri and the Padma Bhushan civilian awards from the Indian government.

Naseeruddin Shah famous Indian film actor and director. He has won three National Film Awards, three Filmfare Awards for Best Actor, and a Best Actor Award (The Volpi Cup) at the Venice Film Festival. The Government of India has honored him with both the Padma Shri and the Padma Bhushan civilian awards for his contributions to Indian cinema.He is an alumni of National School of Drama.


A Day In The Life


There is not a typical day in life of an actor. When they are not performing any role they usually spend time taking acting classes for the betterment of their careers. If they have a role on which they are working the days are spent in rehearsing and performing.

Their days are filled with checking emails and coordinating with the agent and searching for auditions and meetings with industry people, reading scripts and other related work.










Friday, April 5, 2013

Radio Jockey Station

FM STATION IN INDIA



FM Stations in Ahmedabad


Red FM 93.5

Radio City 91.1

My FM 94.3

Radio One 9

Vividh Bharati 96.7

Radio Mirchi 98.3
Gyan Vani 105.40


FM Stations in Bengaluru

Radio City 91.1
Radio Indigo 91.9

Big FM 92.7
Red FM 93.5
Radio One 94.3
Radio Mirchi 98.3
Amruthavarshini 100.1
AIR FM Rainbow 101.3
Vividh Bharati 102.9
Fever 104.0
Gyan Bharathi 106.2


FM Stations in Chennai


Anna FM 90.4
Loyola FM 90.8
Radio City 91.1
Aahaa FM 91.9
BIG FM 92.7
Suryan FM 93.5

Radio One 94.3
Radio Mirchi 98.3
AIR FM Rainbow 101.4
AIR FM Gold 102.3
AIR FM Thirupathi Kendhiram 103.2
Chennai Live 104.8
Gyan Vani 105.6
Hello FM 106.4


FM Stations in Kolkata


Radio SRFTI 90.4
Radio JU 90.8
Friends FM 91.9
Big FM 92.7

Red FM 93.5
Radio One 94.3
Radio Mirchi 98.3
AIR FM Gold 100.2
Fever 104
Oye FM 104.8
Gyan Vani 105.4
Aamar FM 106.2
AIR FM Rainbow 107.00
Power FM 107.8

FM Stations in Mumbai


Radio City 91.1
Big FM 92.7
Red FM 93.5
Radio One 94.3
Radio Mirchi 98.3
AIR FM Gold 100.7
Fever 104 FM 104.0
Oye FM 104.8
Gyan Vani 105.6
AIR FM Rainbow 107.1
Radio MUST 107.8 Mumbai University's community Radio..


FM Stations in Delhi


DU FM 90.40
Radio City 91.
Big FM 92.7
Red FM 93.5
Radio One 94.3
Hit FM 95.0
Radio Mirchi 98.3
AIR FM Rainbow 102.6
Fever 104
Oye FM 104.8
Gyan Bharti 105.6
AIR FM Gold 106.4


FM Stations in Chandigarh

Big FM 92.7
My FM 94.3
AIR Chandigarh
AIR FM Rainbow


FM Stations in Hyderabad

AIR FM Rainbow 101.9
Red FM 93.5
Radio Mirchi 98.3
Radio Mirchi 98.3 Hyderabad Live
Radio City 91.1
BIG FM 92.7
vivid bharati102.8





Saturday, March 23, 2013

How One Can Become A Good Radio Jockey

Being an RJ


The radio boom - that was seen in the from of transformation from AM (amplitude modulation) channels to FM (frequency modulation) channels - witnessed a new industry rising. This gave opportunity to various private players such as Radio Mirchi, Radio Mid-Day, Red FM, Radio City, etc. As a result, there has been resurgence in the popularity of Radio City, etc. As a result, there has been resurgence in the popularity of Radio. This FM boom has thrown open a number of avenues and opportunities to young, energetic and enthusiastic who have an ear for music and a passion to entertain. The profession of Radio Jockeying has just taken off in India and the demand for Radio Jockeys is likely to shoot up in the coming years as 10 more new FM channels are proposed.

For being an RJ its not essential that one must only have a very good and clear voice but what is more essential is that whoever is listening to him must get a feeling that this person speaking on radio is giving voice to my own heart. That means a good radio jockey should reach straight to the heart of his audience and voice their feelings. Moreover he should be a true music lover and could connect heartily with the music and lyrics of the songs being played. What is meant to be said is that song which is to be played must be prompted in such a way that even one who dislikes the song starts liking it.

Talk one to one


A Radio jockey should converse in such a way that one who is listening to him should feel as if The RJ is talking only to him. That means RJ should not address the masses but to a single person.

Get to the meat of the link


RJs who speak more become very boring so a good RJ should have an ability to convey his thoughts or whatever he want to say in minimum words that too impressively .He should be able to paint a picture before the audience with his words.

Some more essentials for being a good RJ

Music

RJ is all about music. Thus, Intensive knowledge of music is precondition to be RJ

Personality

RJ should carry vivacious personalityand should be young from heart and who loves talking to people and believe in its own performance. RJ is original and has own style.The language he speaks is very normal but he treys to spice it up so that what he presents comes out differentlyand sounds interesting to the listeners. The foremost condition of RJ nature is hanging your shyness, embarrassment, inhibition and reserve nature in your wardrobe. Simply come out of it and make yourself open.


Voice

Modulating voice should be your style of speaking. Monotones speech in single flow without any ups and downs will make you to lose your audience. So sound different every time. A friendly and interesting voice is a necessary attribute, but not an all-sufficient one. Research your own script and break it into interesting modules.

Humor

Lifeline of radio chatting is humour. Jokes or mimicry helps you further. Saying something witty and very direct way to say will leave a mark on your audience. Do something that's normal and at the same time that has not been done in radio before.

Resource

Radio jockeying is not only garrulous and whimsical remarks.So be resourceful about the information that people generally miss It is about delivering important news and keeps people well informed for the happenings. So always be resourceful.

Be Friendly

The listeners should be able to relate to you. Why would they want to listen to a stranger? Try to be one among them and always be a friend so that they can relate to you. You need to listen to somebody who is a friend of us. Be like how kids talk in schools and guys talk in colleges, how friends talk when they are going out to eat or drink.

The competition is tough and it takes more than a good voice to woo the audience. There are some who believe that RJ is born and not made. General advice is to listen to a lot of radio, try to put yourself in the shoes of listeners, try and come up with innovative ideas, use oodles of wit and pack your voice with energy.

So to say


A RJ should be able to create bond with the listener, should be friendly, spontaneous, warm, and have a good voice and good command over the language. Youngsters are preferred as they have new ideas and concepts and are bubbling with enthusiasm. A radio jockey must have good voice with perfect modulation, diction and clarity while speaking 'on-air'. Apart from these the following would be added advantage:
 S/he would be well read and knowledgeable,
 should be well acquainted with current trends and fashion,
 should know current who's who,
 should have command over spoken words and able to use easy-to grasp language/dialect,
 could chat with the guest in the studio or audience over telephone,
 able to operate modern electronic gadgets like editing consoles and computer.


Possessing some basic qualities are not sufficient. As the competition in the market are fierce therefore a systematic training is required in order to achieve perfection . There are many Institutions that are providing theoretical and practical know-how for being a good radio jockey. Some of them are listed below. The list is indicative as there are many more that provide trainings.
1. Indian Institute of Mass Communication, New Delhi (Radio and TV Journalism) 
2. Jamia Millia Islamia University, New Delhi, website: www.jmi. nic.in 
3. Indira Gandhi National Open University, New Delhi, www. ignou.ac.in (Radio Journalism/ programme production (Hindi/English) .
4. MCRC, Osmania University, Hyderabad.
5. The Delhi Institute of Communication, website: www. thedelhischoolofcommuni-cation.com
6. MCRC, Jamia Millia Islamia University, New Delhi, website: www.jmi.nic.in.
7. Indian Institute of Journalism and New Media, website: www.iijnm.org
8. Xavier Institute of Communi-cation, Mumbai website: www.xaviercomm.org


Career Opportunities

The career opportunity for a radio-jockey or programme presenter is increasing day-by-day with the advent of private FM channels, community radio stations and government owned local FM radio stations (LRSs) of All India Radio. The government in its phase-II expansion plan of FM radio has given license to as many as 337 FM radio stations in 91 cities. That means every major city is going to have more than one FM channel in the very near future. Metro cities are already having two or more FM channels.
The Indira Gandhi National Open University is also going to recruit its own announcers/compere for their exclusive radio channel Gyanvani. A radio jockey may earn from Rs. 8000=00 to 15000=00 depending upon the ability and skills and fulfilling the requirement of the employer.
Apart from the regular employment, there are opportuni-ties as casual or part time announcers or compere.



HOW TO IMPROVE YOUR VOICE 

Voice is God Gifted, yes it true and fact, but it can be trained, this also a fact. Nobody is a born singer or narrator or voice artiste, yes he/she may have a sweet, melodious voice by birth but still his/her voice needs to be trained enough to modulate, variate and able to perform professionally for required time. I am here to tell you about tips on how to improve your voice ( for voicing, dubbing, mimicry) so that you are able to have more base, uncharred, rhythmatic voice and have some control over your throat to produce variation and modulation in your voice as and when necessary. What ever you want to become in voicing arena, be it voice over artiste, dunning artist, mimicry artiste, performing actor, you need to modulate your voice according to the mood of the script. This is the first requirement of being a professional voice artiste. Anyway, lets begin with the training.



1. Like what a singer does every morning called "Riyaaz" you should also do the same every morning. You can take "Sa" only of Sa Re Ga Ma and then take a deep breath and start reciting "Sa" with your full base voice till your breath ends. Keep in mind you have to inhale fully and should go on saying "Sa" till the end of your breath in a continuous pitch without any breaks, variation or modulation of your voice. This will not only help you in having good base voice but also increase your voicing stamina.

2. If Main/Lead Voice Over is your target, you should everyday practice atleast two scripts with proper diction, pronunciation, modulation (as & when). If you do not have the stamina you may lose your voice in a lengthy script, that is your voice may be bold, enthusiastic, fresh in the first quarter of the script and may get tired or becomes low in the end. This is called the stamina of Voice, to remain one till the end specially in the case of background lead voice overs or narrators for documentaries or audio visuals. Similarly for other voicing fields, mimicry, stand up comedy, cartoon dubbings, simple dubbings etc. Record your voice everyday and listen. Everyday you will notice some improvement.

3. Yoga plays a very important role in keeping your throat & voice healthy. Everyday chanting of "OM" for 10 minutes will give similar positive results as mentioned in point number one. You can also perform other Asanas for throat as "Singasana" and "Bharamri Pranayam" which will clear your throat and keep you away from all problems.

4. One more Yog asana which is the most effective is 'Ujjhayani Pranayam' where full throat is contracted inside, and a sound is produced in reverse, that is you are producing sound by inhaling in through nose but throat is fully contracted and lips closed. When you breathe in fully, after that you release your throat muscles and release the breath through the left nostril, by holding the right nostril with your right thumb. A very effective way to exercise your tonsils.

5. To have a good feel of your voice and make it more fluent, one of a prestigious voice artiste once told me his secret which I am sharing with you, to speak 'om' or simple 'Aaaah' in an earthen pot or a 'mutka'. You can also practice your scripts like this before appearing for an audition or final recordings.

6. Stay away from very cold things, beverages, aerated waters, chocolates, pickles, chillies and anything very sour. Chocolates, Toffees and other paste like things form a layer on your tonsils, exposing it to infections. If you eat occasionally do try to clear your throat and I hope you all brush your teeth before sleeping. Try to gargle your throat by simple Ayurvedic Gargle Concentrate, diluted in warm water before going to bed everyday. This would minimize any chances for infection while you are in your sleep.



RADIO JOCKEY JOBS


Guys if you are looking for a job of RJ or any other jobs requirements at Radio channels / stations in Delhi, Mumbai or elsewhere here are the details . Please do contact the below mentioned email ids or URLs for more information.

Big 92.7 FM / careers@big927fm.com

Radio Mirchi

Radio One / jobs@radioone.in

104 Fever FM / jobs@hindustantimes.com











Sunday, March 17, 2013

How To Become RJ, know Its Eligibility, Scope And Institutes Offering RJ Courses

Introduction 


Radio Jockey is a person who plays music on radio, chats with his/her listeners, delivers news, interviews guests and manages contests all with a view to entertain his/her listeners on radio. The performance of the RJ is responsible for bringing in listeners to the radio centre. So RJ has a very important role to play. RJ career requires enthusiasm, rationality, creativity of mind, good sense of humour, excellent communication skills & ownership of a live appealing voice. Radio Jockeying has become a popular career option for many youngsters. It is an exciting, promising and challenging career for those who have a passion for music. It is the only profession in which one may be recognized by one’s voice. To become RJ, know about radio jockey courses offered in India.


Courses Offered


Certificate Course in Announcing, Broadcasting, Comparing and Dubbing (ABCD)
Certificate Course in Radio Jockeying ( CRJ )
Certificate Course in Radio Production Programme
Diploma in Radio Jockeying ( DRJ )
Diploma in Radio Management
Diploma in Radio Programming and Management ( DRPM )
Diploma in Radio Station Operations and Management
Post Graduate Diploma in Radio Programming and Management (PGDRM )


Scope of RJ 



The major goal of the Electrical Engineering program is to prepare candidates to enter and progress in electrical engineering positions in private and government sector. Graduates are generally expected to work in the research and development of ideas, products and processes by applying engineering principles to the solution of practical problems in the electrical engineering field.
There are various leading FM channels and private radio ventures offering job opportunities. RJs can find jobs in AIR (All India Radio) and other independent radio stations. AIR (All India Radio) holds auditions for RJs every 3 months in their radio stations in various cities, especially in metros. RJs can do voice-overs for television and radio advertisements. They can also lend their voice to audio magazines and documentaries. RJs also can anchor or compeer TV shows or live shows or events.



Remuneration

Radio Jockeys are in demand with the opening of the air waves to the private sector. The fresher can earn between Rs. 8,000/- to Rs. 15,000/- per month. Apart from that sponsored programs, software companies can pay between Rs. 1,400/- to Rs. 2,500/- per show. After a few years of experience, the earnings can be doubled and depending on the popularity of their shows, RJs can earn between Rs. 15,000/- to Rs. 25,000/- per month onwards.

Some Popular Radio Stations in India


AIR (All India Radio)
Big FM
Radio Mirchi
Red FM
Radio One
Fever FM
Vividh Bharti Seva


Top Institutes Offering Radio Jockeying Course in India


Academy of Radio Management, New Delhi
The Mudra Institute of Communications, Ahmedabad (MICA)
Alis Academy of Radio and Television, Bhopal
Media and Film Institute of India, Andheri (W)Mumbai
E.M.D.I. Encompass Institute of Radio Management, Mumbai
Alis Academy of Radio and Television, Bhopal
Center for Research in Art of Film and Television (CRAFT), New Delhi
IRJ Institute of Radio Jockeying, Chandigarh
Xaviers Institute of Communication (X.I.C.), Mumbai







A Radio Jockey's job is a thrilling one. He gets to entertain and interact with a very large audience. Although not as popular as television, radio has its own set of followers. The success of a show depends entirely on how talented the radio jockey is. He also gets to meet and interview a wide range of celebrities on radio. A radio jockey also gets to compile his own playlist of songs for his audience. Let's see how you can become a radio jockey or RJ.


Why are Online Radios so Famous Nowadays? 

There are several people who use to ask questions i.e. why are online radios so famous nowadays? If you are among such people, here is an answer to your question. As we know that people nowadays are becoming net savvy. Everything is getting online nowadays. From simple net surfing to booking bus, train and airlines tickets, from any recipe to shopping, everything is available on the internet. You don’t need to go out now for their necessities as the internet is established enough to fulfill all your requirements.

But, what if you get an additional benefit of enjoying music while looking for your requirements? It sounds really interesting. Isn’t it? Online radios offer a platform to enjoy music of your choice. Suppose there is a person who is currently residing in another country but want to enjoy music of his own language, he can easily do it by simply searching an online radio station of his country. Online radios are growing at a faster pace because of the increasing demand.

As we know that majority of people love listening music. However, the choices may vary from one person to other. Therefore, there are thousands of choices available for you via online radios. Moreover, you don’t need to pay anything to listen these online radios. All you need is just a good internet connection and you are done.No matter what you want listen, you will get them under one roof. The best part is that the shows are hosted by Radio jockeys (RJ). An RJ is a person who used to entertain people playing your favourite track. Moreover, if you don’t like the track, you can switch to any other radio station. Just imagine, you will get entertain while doing your work on the computer.



Radio Jockey : Eligibility

Radio Jockey : Eligibility


Radio Jockeying is a talent based field. Even though no formal educational qualification is required, a degree or at least plus two is generally a pre requisite.The most essential factor for a Radio Jockey is a good voice with the ability to modulate as per the occasion. Apart from that, an RJ should have a clear diction, accurate pronunciation, flare and fluency in the language. 
They should be able to control the pitches of their voice and learn to use them to the best effect. Another distinguishing characteristic to become a successful radio jockey is the speed of response, good sense of humour, individuality, creativity of mind, spontaneity and an intensive knowledge of music. Successful RJs have the ability to twist and turn their speech according to the situation. Staying updated is very important for a radio jockey. An RJ needs to keep track of the happenings in and around the city. People will enjoy listening to an RJ, if they can sound different on the show. So qualities like mimicry, local dialects and comedy or humor items will help the RJ to carry on their shows. What matters most in this profession are, your voice and a clear diction. You should be able to adjust your voice and control the pitches of your voice. For example, if you, as an RJ are doing a programme targeted at the youth, you have to sound bubbly. On the other hand you need to sound more serious and mature for an older audience. Radio Jockeys should be diplomatic in character as they have to interact with people of different nature. They must maintain a down-to-earth and approachable attitude so that listeners can comfortably make calls and speak their hearts out.What matters most in this profession are, your voice and a clear diction. You should be able to adjust your voice and control the pitches of your voice. For example, if you, as an RJ are doing a programme targeted at the youth, you have to sound bubbly. On the other hand you need to sound more serious and mature for an older audience.


Job Prospects & Remuneration

The radio industry is just beginning to experience success. The advent of tons of private channels has increased the demand for quality radio jockeys. In India you can easily get inducted in one of the many radio channels and slowly make your way up to the top. If you have a good grip over some foreign languages then you might even be able to get a job as a radio jockey in foreign lands. There is a lot of scope for quick growth. All you need is talent, confidence and perseverance. As a radio jockey, besides getting contractual good money you earn by doing Ad commercials. As you get famous and your voice is recognized, other Radio Channels tend to attract you with better package. Alternatively RJs are also busy with doing voice-overs for ad films and movies. When they are being connected to their audience RJs also can anchor or compere TV shows or live shows / events. The beginners in the initial stage can earn between Rs. 7,000 to Rs. 15,000 per month. For sponsored programs, software producing companies may pay between Rs 1400 to Rs 2500 per show. After a few years of experience, the earnings can be raised double and depending on the popularity of their shows, RJ's can earn between Rs 15,000 up to Rs 85,000 per month. Another well-paid and upcoming option is radio broadcasting on the Net, which could earn you between Rs 40,000 to 50,000 per month.


Institutes Offering



In the field of Radio Jockeying, only few institutes offer specialized courses and most of them have been started by well known anchors. Some of these institutes are EMDI Encompass Institute of Radio Management, Mumbai; Xavier Institute of Communications, Mumbai; Academy of Radio Management, Delhi; Take One Academy of Broadcasting, Chandigarh; Xavier's Institute of Communication and Film and Television Institute (FTII), Pune; The British council; National School of Drama, New Delhi; Young Men's Christian Association.


What Radio Disc Jockeys do



  • Study background information in order to prepare for programs or interviews.
  • Identify stations, and introduce or close shows, using memorized or read scripts, and/or ad-libs.
  • Interview show guests about their lives, their work, or topics of current interest.
  • Make promotional appearances at public or private events in order to represent their employers.
  • Prepare and deliver news, sports, and/or weather reports, gathering and rewriting material so that it will convey required information and fit specific time slots.
  • Read news flashes to inform audiences of important events.
  • Host civic, charitable, or promotional events that are broadcast over television or radio.
  • Discuss various topics over the telephone with viewers or listeners.
  • Comment on music and other matters, such as weather or traffic conditions.
  • Select program content, in conjunction with producers and assistants, based on factors such as program specialties, audience tastes, or requests from the public.
  • Announce musical selections, station breaks, commercials, or public service information, and accept requests from listening audience.
  • Operate control consoles.
  • Attend press conferences in order to gather information for broadcast.
  • Provide commentary and conduct interviews during sporting events, parades, conventions, and other events.
  • Moderate panels or discussion shows on topics such as current affairs, art, or education.
  • Locate guests to appear on talk or interview shows.
  • Record commercials for later broadcast.
  • Keep daily program logs to provide information on all elements aired during broadcast, such as musical selections and station promotions.
  • Coordinate games, contests, or other on-air competitions, performing such duties as asking questions and awarding prizes.
  • Describe or demonstrate products that viewers may purchase through specific shows or in stores.
  • Give network cues permitting selected stations to receive programs.



What work activities does a Radio Disc Jockey do

Importance Activities


  • Thinking Creatively - Developing, designing, or creating new applications, ideas, relationships, systems, or products, including artistic contributions.

  • Getting Information - Observing, receiving, and otherwise obtaining information from all relevant sources.

  • Communicating with Persons Outside Organization - Communicating with people outside the organization, representing the organization to customers, the public, government, and other external sources. This information can be exchanged in person, in writing, or by telephone or e-mail.

  • Performing for or Working Directly with the Public - Performing for people or dealing directly with the public. This includes serving customers in restaurants and stores, and receiving clients or guests.

  • Identifying Objects, Actions, and Events - Identifying information by categorizing, estimating, recognizing differences or similarities, and detecting changes in circumstances or events.

  • Communicating with Supervisors, Peers, or Subordinates - Providing information to supervisors, co-workers, and subordinates by telephone, in written form, e-mail, or in person.

  • Updating and Using Relevant Knowledge - Keeping up-to-date technically and applying new knowledge to your job.

  • Interacting With Computers - Using computers and computer systems (including hardware and software) to program, write software, set up functions, enter data, or process information.

  • Establishing and Maintaining Interpersonal Relationships - Developing constructive and cooperative working relationships with others, and maintaining them over time.

  • Interpreting the Meaning of Information for Others - Translating or explaining what information means and how it can be used.

  • Processing Information - Compiling, coding, categorizing, calculating, tabulating, auditing, or verifying information or data.

  • Analyzing Data or Information - Identifying the underlying principles, reasons, or facts of information by breaking down information or data into separate parts.


  • Documenting/Recording Information - Entering, transcribing, recording, storing, or maintaining information in written or electronic/magnetic form.

  • Making Decisions and Solving Problems - Analyzing information and evaluating results to choose the best solution and solve problems.


  • Organizing, Planning, and Prioritizing Work - Developing specific goals and plans to prioritize, organize, and accomplish your work.


  • Monitor Processes, Materials, or Surroundings - Monitoring and reviewing information from materials, events, or the environment, to detect or assess problems.


  • Judging the Qualities of Things, Services, or People - Assessing the value, importance, or quality of things or people.


  • Scheduling Work and Activities - Scheduling events, programs, and activities, as well as the work of others.


  • Developing Objectives and Strategies - Establishing long-range objectives and specifying the strategies and actions to achieve them.


  • Selling or Influencing Others - Convincing others to buy merchandise/goods or to otherwise change their minds or actions.


  • Training and Teaching Others - Identifying the educational needs of others, developing formal educational or training programs or classes, and teaching or instructing others.

  • Coordinating the Work and Activities of Others - Getting members of a group to work together to accomplish tasks.


  • Developing and Building Teams - Encouraging and building mutual trust, respect, and cooperation among team members.


  • Resolving Conflicts and Negotiating with Others - Handling complaints, settling disputes, and resolving grievances and conflicts, or otherwise negotiating with others.


  • Estimating the Quantifiable Characteristics of Products, Events, or Information - Estimating sizes, distances, and quantities; or determining time, costs, resources, or materials needed to perform a work activity.


  • Evaluating Information to Determine Compliance with Standards - Using relevant information and individual judgment to determine whether events or processes comply with laws, regulations, or standards.


  • Guiding, Directing, and Motivating Subordinates - Providing guidance and direction to subordinates, including setting performance standards and monitoring performance.


  • Controlling Machines and Processes - Using either control mechanisms or direct physical activity to operate machines or processes (not including computers or vehicles).


  • Coaching and Developing Others - Identifying the developmental needs of others and coaching, mentoring, or otherwise helping others to improve their knowledge or skills.


  • Provide Consultation and Advice to Others - Providing guidance and expert advice to management or other groups on technical, systems-, or process-related topics.


  • Performing Administrative Activities - Performing day-to-day administrative tasks such as maintaining information files and processing paperwork.


  • Inspecting Equipment, Structures, or Material - Inspecting equipment, structures, or materials to identify the cause of errors or other problems or defects.


  • Monitoring and Controlling Resources - Monitoring and controlling resources and overseeing the spending of money.






Radio Jockey : Introduction

Radio Jockey : Introduction

Though the popularity of radio had suffered badly with the arrival of Television and Internet, the opening of the FM radio to private channels has infused a new life to radio. Radio Jockeying is an exciting, promising and challenging career for those who have a passion for music. It is the only profession in which one may be recognized by their voice.Radio Jockeys are those who anchor music programmes on radio. The task of a RJ is to entertain the listeners by playing music or conveying messages in a most attractive and sophisticated way. They play requests from listeners, interview guests, manage contests and also provide information on the music, weather and traffic. This is a profession which requires a lot of hard work and presence of mind. It is the performance of these Radio Jockeys that makes or mars the radio station. Mostly youngsters are preferred in this field as they have new ideas, concepts and are bubbling with enthusiasm.

Every successful Radio Jockey has their own style of communicating. To make an imprint in the listeners heart, apart from a good voice, the Radio Jockey should be warm, friendly, spontaneous, dynamic and must possess good communication skills. One who is interested in this field must keep on observing how the RJ's handle the calls, interact with the listeners, how they answer tricky and awkward questions and comments from the listeners etc. Prospective candidates must listen to a lot of radio, try and come up with innovative ideas and pack their voice with energy.










Why BMG's broadcast school uses the mentor-apprentice model for teaching how to be a radio DJ?



BMG uses the mentor-apprentice model for learning how to become a radio DJ simply because it works. Who better to teach you ANY skill than a professional who makes his or her living from doing the very thing you want to learn?

Many radio broadcasting schools may be able to teach you announcing skills, but few are able to get your foot in the door of the actual radio industry during your training.

Inside a real radio station, much of your initial learning comes from observing what your mentor does – followed by learning how he does it. Just a few of the things your mentor will teach you, includes:



  • How to use your voice
  • The basics of what to say and how to go about saying it
  • Set structure (how to start your on-air set - where to go - and how to end it...while keeping it reasonably brief)
  • Discovering the economy of words – keeping it short, but being precise
  • How to mentally multitask (being a DJ requires you to keep track of many things at once)
  • The differences between talking over music and talking with no music
  • Knowing the proper energy for your format (Rock, Jazz, Rap, Country...)
  • Skillfully reading for commercials
  • Knowing the role and importance of inflection/pacing/enunciation & pronunciation
  • How to sound Real, Natural, Warm, Inviting, Engaging, In Command, and Authoritative
  • Your voice volume and projection


As you can see, many of these skills don't come naturally, but can easily be learned when taught by an experienced and skilled DJ.




Learning how to have fun, and remain upbeat at all times while you're working.




Think about it. When you arrived at work today, were you expected to remain upbeat, inspiring, and informative to those in your workplace? Even if your boss met you at the front door and changed your job description for the day to include all these things...would you be able to pull it off?

Not likely...and it's not your fault! Let's face it – if you're like most people, you probably don't currently enjoy your job...so how can you be expected to know how to have fun while you're working?

As a radio DJ, all that changes. It may be one of the few jobs you can be fired from for not having fun and making someone smile. After all, when was the last time you heard a radio DJ who always sounded negative, down, and couldn't wait to get out of there?

An important part of learning how to become a radio DJ requires you to learn how to attract and keep listeners who want to hear your show on a regular basis.Do you think listeners will be inspired to tune in regularly to listen to a DJ who sounds like he should be hosting a funeral instead of a radio show?

Just as a college student is graded on the quality of work they produce, radio DJs have their own form of report cards called the Arbitron Ratings. The Arbitron Ratings measures the amount of listeners your show has, and provides estimates of how much time the audience has spent listening to your show.You can now see why it's important to attract loyal listeners, and motivate them to return regularly. Your job can literally depend upon it – and there are skills that only an experienced DJ can teach you to make that happen.

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